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Stay Inside

by Spelling Reform

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  • Compact Disc (CD) + Digital Album

    This four-panel digipak includes slightly disorienting photos from Dan Wisniewski that have been lovingly messed with by graphic designer John Cassidy. Includes an insert with a full set of lyrics.

    Includes unlimited streaming of Stay Inside via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • T-Shirt/Apparel

    This GAP short-sleeve v-neck cotton T-shirt features a magpie, as mentioned in "All the Fun Parts Sanded Off" from Spelling Reform's 2019 album Stay Inside. Design by Philadelphia designer, illustrator and artist Rita Carroll (www.rita-carroll.com).
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  • Full Digital Discography

    Get all 6 Spelling Reform releases available on Bandcamp and save 30%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The Real Giving Up, Somewhere Back There [single], Stay Inside, Latitude, No One's Ever Changed, and Diving Bell. , and , .

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      $26.60 USD (30% OFF)

     

1.
The slipping and sliding, it never gets tiresome, he says — like running a marathon and then running it again. And it’s hard to believe, but the rubes like me eat it up like he makes out. The marketing arm of the organization’s well funded (or so I hear about every few months from the finance department). So, come on, raise a toast to the Bragging Ghost — he says everyone is coming. I’m believing the same thing. The “I believe it because” thing. The “I know it’s not even real” thing. I’m believing the same thing. The way that he tells it, it seems there’s a never-ending noise. At least one person is thinking to keep the fact-checkers employed. What’s a lie with a friend? This is a conversation — and that’s someone else’s daughter.
2.
Feel Unwell 03:52
Feel unwell today. I broke the pill in half to see. Like stripping wires clean. I’m counting down the time till I feel right. I am calling counsel for advice on how to fix this life and running out of options isn’t what I had in mind. I’m carving out a second house for pain. Stay inside tonight. Medicate and reverse into steam. A year of freaking out. A year of telling myself I’m all right, right? I am calling counsel for advice on how to fix this life and simplify the feelings that have kept me out of sight. I’m carving out a second house for pain. Imaginary crowd wondering, well, just where have I been? Invisible and pure — at least that’s what I tell myself at night. I am calling counsel for advice on how to fix this life. A new and chronic future that’s immense and multiplied. I’m carving out a second house for pain.
3.
“It wouldn’t be that hard to make the sound of the useless words coming out of their mouths,” I said. “Like change on a tile floor. Like locust wings on a barroom door.” It’s the second coming that I’m the least worried about. Someone tell me: When was the first one again? As for Comings Three through Six, well, bring on the new tricks. (It shouldn’t be that hard.) It’s the best Sunday morning there is. The sun is still shining on me - who thought that would change? So fine to live without providence. Keep me out of the next existence. It’s such a drag to fade.
4.
The Chicago Board of Trade seemed like maybe it had changed. In my mind, it grew between now and when, to me, it was new. But that’s how memory goes — building up something bigger than it was. Richard Manuel sung to me on my wet walk home about Independence Day and the long-gone Chicago Board of Trade. And with generations crossed, I’d never felt so lost. Every feeling’s the same feeling everyone has had before me. I am not something new. I’m living in the most common way.
5.
174 Degrees 03:39
I cut open an apple and I took out the seeds. Something inside of me has stopped growing. Setting out against the wind, I’m elated and aware that I am something less than before. At 174 degrees, all my worst parts evaporate into steam. Poison floating on a sunbeam. Filtering out the words that I use. Follow the path of the roots that never grew. Do some shadows remain with each change? Fingerprints on a page I can’t wash away?
6.
“Make it a double” — that’s something I’ve never said to anyone. I’m up in the morning with the best of them. Who are these people who can go forever? I’m tied up tight with moss in my sweater. I’m never throwing my things away … OK, I could come around. What’s so hard about pretending? I’d like to have a panic attack in the stairwell but I can’t — the inside’s locked for security reasons. I’m always three drinks away from a good time but three drinks in, I’m hating every season. I’m always making it about me … OK, this one’s actually about me. What’s so hard about pretending? I have made believe that everybody thinks of me. Every once in a while I think, “OK, maybe it’s time to stop thinking.” What’s so hard about pretending?
7.
All the fun parts sanded off. And the magpies in the dark go quiet ... I’m awake on an old bed thinking how I’m so spent from holding on for fear of wondering what I’d have to do to get up. I’ve been walking through the mud handcuffed to the one who loves me. Footprints left behind fade away. Everything will go someday. Settle in for another night, we're side by side. Make it out that days won't become something like the rest of our lives.
8.
I have never had less fun, and twilight has never seemed so menacing. Some apocalypse this is — not as dramatic as I might have hoped. Then again, what ever could be? There is no more future — and aren’t I elated?
9.
I’m coming in accessible with fog shrugged off. I’ve combed my head aside and shook everyone’s hands. Then stumbling about, I multiplied myself.
10.
Everything works out until it comes. And what if I say that I'm too busy? I've got a lot to do. Now a shared understanding that I've lost the thread. Thoughts that had come in waves don't break anymore. Masked men come in the night for me. I pretend that I stay sleeping. They always leave. All that I saw and did had a way of meaning something else. Like these fireworks off the coast — now I watch them go, but they don't mean anything to me anymore. Marching bands come and they parade. I stand by mesmerized and wave. Tomorrow will be the same, but am I changing? Surrounded by something new, I turn my face away from the sun again and head underground. And like Lewis out on the divide, I'm aware and I realize I'm transformed and amplified.

about

Teaser 1: www.youtube.com/watch?v=30M0fBaL544
Teaser 2: www.youtube.com/watch?v=QgKTOEVP52I

The 2016 release of No One’s Ever Changed should have been a watershed moment for Philadelphia indie rock/power pop band Spelling Reform. The debut album, recorded with Joe Reinhart (guitarist for Hop Along), garnered coverage from Consequence of Sound and American Songwriter and drew comparisons to Wilco, Pixies and Guided by Voices.

But the band’s founding guitarist, Andrew Ciampa, had announced his intentions to leave the band following the album’s release. For live shows, the group toiled to rework its already-lean new songs for a three-piece lineup or teach them to temporary guitarists. And not long after, lead singer/songwriter Dan Wisniewski experienced the deaths of five family members and close friends in nine months. It was amid these events that Wisniewski’s new songs — with telling titles like “There Is No More Future,” “Feel Unwell” and “All the Fun Parts Sanded Off” — began to take shape.

Those tunes and more make up Stay Inside, Spelling Reform’s second full-length album, out April 5, 2019 on Black Rd Records. On the album, Wisniewski and his bandmates (drummer Mark Rybaltowski, bassist Tom Howley and new keyboardist Jim Gannon) stretch out on 10 introspective and quiet-loud missives and character studies. Recorded with Kyle Pulley (bassist for Thin Lips), Stay Inside represents a musical maturation for the band, with longer songs, more choruses and more synthesizer.

And Wisniewski (with his love-’em-or-hate-’em nasally vocals) perhaps unsurprisingly turns his gaze far from the relationship-tinged works the band has been known for to deliver a set of contemplative and idiosyncratic songs. “I wanted to get away from judgmental, finger-pointing songs,” said Wisniewski. “They started to feel unfair, unnecessarily mean and just kind of petty.”

Instead, Wisniewski explores his relationship with chronic illness (“Feel Unwell”) and sideyes organized religion (“The Second Coming”). His characters bemoan the wrong kind of apocalypse (“There Is No More Future”) and the giddy feeling of reinventing yourself (“Fog Shrugged Off”).

And even on songs that address toxic masculinity (first single “(I’m Believing) The Same Thing)”, famous American explorers (“Meriwether Lewis on the Divide”) and Midwestern architectural masterpieces (“The Chicago Board of Trade”), the tunes reflect Wisniewski’s new perspective on his place in the world. “I am not something new,” Wisniewski sings on “The Chicago Board of Trade.” “I’m living in the most common way.”

credits

released April 5, 2019

Spelling Reform is:
Jim Gannon: keyboards, piano, synthesizers
Tom Howley: backing vocals, bass, discussion about cheesesteaks
Mark Rybaltowski: discussion about cheesesteaks, drums, percussion
Dan Wisniewski: acoustic and electric guitars, banjo, lead vocals, synthesizers

Arranged and performed by Spelling Reform. © 2019 Spelling Reform.

All songs written by Dan Wisniewski except lyrics for “174 Degrees” “All the Fun Parts Sanded Off,” “Feel Unwell” and “The Second Coming” by Rybaltowski/Wisniewski.

Recorded and mixed by Kyle Pulley at The Headroom (theheadroomphiladelphia.com) in Philadelphia, PA. Assisted by Chance Halter, Jax Savage, Brendan Simpson and John Heywood. Additional recording done at Sunnyside Studios in Philadelphia. Mastered by Ryan Schwabe. Released by Black Rd Records (blackrdrecords.com).

Photographs by Dan Wisniewski. Artwork and graphic design by John Cassidy.

Say hi at spellingreformband.com.

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Spelling Reform Philadelphia, Pennsylvania

Nasal indie rock, stutter-stop power pop, pleasantly bent indie pop.

New LP "The Real Giving Up" out now.

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